Brandon Bloom is a Los Angeles based documentarian and commercial editor.
He has cut for Apple, Spotify, National Geographic, Sony, Bono and Dr. Dre (nice guys), the Museum of Contemporary Art, The Broad Museum, and a handful of other companies and non-profits. His work has been featured in The New York Times, Rolling Stone, Beyond the Short, and BOOMTV, and he was an integral part of helping his previous agency (Rosewood Creative) win 2 Cannes Lions for their work on the Best Picture winning film CODA.
His documentary work has taken him across the globe to the Philippines and Myanmar, into Appalachia, under bee hives, and through traffic on the I-5 to a small art school for intellectually disabled adults in Anaheim. He strives to tell stories about how we cohabitate, our relationships with the space we occupy, and the communites we find ourselves in along the way.
He has cut for Apple, Spotify, National Geographic, Sony, Bono and Dr. Dre (nice guys), the Museum of Contemporary Art, The Broad Museum, and a handful of other companies and non-profits. His work has been featured in The New York Times, Rolling Stone, Beyond the Short, and BOOMTV, and he was an integral part of helping his previous agency (Rosewood Creative) win 2 Cannes Lions for their work on the Best Picture winning film CODA.
His documentary work has taken him across the globe to the Philippines and Myanmar, into Appalachia, under bee hives, and through traffic on the I-5 to a small art school for intellectually disabled adults in Anaheim. He strives to tell stories about how we cohabitate, our relationships with the space we occupy, and the communites we find ourselves in along the way.
brandonibloom@gmail.com
